Exhibition Archive - Akim Monet Curatorial 2011-2021

Dallas (2022): Assisted Readymade (Winter 2022)

  • READYMADE---banner-web-artsy
  • Marcel Duchamp (1887 - 1968)Replica of the disc Esquivons les ecchymoses des esquimaux aux mots exquis, used as a cover for S.M.S(New York), No. 2 (April 1968), attached to paper portfolio, with printed inscription “a guest + a host = a ghost Marcel Duchamp 1953”Disk diameter: 6 7/8 (17.5 cm)Portfolio size: 11 x 7 x 1 in (28 x 17.75 x 2.5 cm)Duchamp contributed a seven-minute recording of himself reading transposed letters, words and syllables. The record can be removed and played. This work was one Duchamp's last pieces. He died shortly after his SMS (Shit Must Stop) contribution. This piece directly related to earlier recordings and record-shaped artworks made by the famous Dadaist, Surrealist and father of conceptual art.Nine discs were made in 1926 to be used in the film Anémic Cinéma (Cat. 289), where they alternate with ten Discs Bearing Spirals (Cat. 286). One disc has been lost.This work is from the edition of approximately 2000 published by Letter Edged in Black Press.Please click HERE for full fact sheet
  • Joseph BEUYS (1921 - 1986)Graduated glass cylinder, with inscription {quote}Rose für Direkte Demokratie{quote} and {quote}Joseph Beuys{quote}13 3/16 x 2 in (33,5 x 5 cm)Edition UnlimitedPublisher: Edition Staeck, HeidelbergPlease click HERE for full fact sheet
  • Joseph BEUYS (1921 - 1986)Felt blackboard eraser, stamped, signed and numberedLabel yellow, typography black. Signed in felt pen in Sütterlin (prewar German) script; numbered in pencil by another hand; a very few copies experimentally numbered by stamping.2 x 5 1/8 x 1 in (5 x 13 x 2,5 cm)Edition of 550 + 6 a.p. ; Ed. 537/550Publisher: Ronald Feldman Fine Arts, New YorkBeuys had the idea for the edition at a political lecture he held during his first trip to the United States.When collectors wanted to purchase a blackboard he had drawn and written on, Beuys had it erased with this type of blackboard eraserPlease click HERE for full fact sheet
  • [Marcel Duchamp (1887 - 1968)]Wood box reproducing Marcel Duchamp's Mental Chess Board from 1937 and containing an exhibition catalogue (64 pp 13 3/8 x 4 1/4 in; 340 x 107 mm, complete with the price list); a portfolio containing reproductions and facsimiles of Marcel Duchamp's works, also including H. Vuibert, Les Anaglyphes Geometriques, Paris Librairie Vuibert, 112 (with 3D glasses); a book of articles on Duchamp by Andre Breton and Arturo Schwarz (inserted, on separate sheet, a reproduction of Le Grand Verre); an audiocassette of Duchamp speaking {quote}Priere d'ecouter{quote} with, on top of it, a miniature reproduction of Enrico Donati's breast from 1947; a single photograph of {quote}Marcel Duchamp at the Age of 85 for View; a colophon.14 1/2 x 14 1/4 x 2 1/4 in (37 x 36.5 x 6 cm)Numbered 417/850 on the inside coverEdited on the occasion of the exhibition {quote}Marcel Duchamp,{quote} Antwerp: Ronny Van de Velde, 1991Please click HERE for full fact sheet
  • Joseph BEUYS (1921 - 1986)Wooden box with pencil drawing11 13/16 x 8 1/4 x 2 3/8 in (30 x 21 x 6 cm)Signed and dated {quote}Joseph Beuys{quote} on the reverse and annotated {quote}Intuition{quote} front centerEdition: unlimited, approx. 12,000 made; signed and dated, unnumberedPublisher: Vice-Versand, RemscheidPlease click HERE for full fact sheet
  • Joseph BEUYS (1921 - 1986)Basalt, stamped “Joseph Beuys Eine Strassenaktion” and “Organisation für direkte Demokratie,” inscribed in felt pen “Joseph Beuys”6 5/16 x 4 3/4 x 5 1/8 in (16 x 12 x 13 cm)Edition: 50, about half of the edition signed and numbered, the other half with signature stamp; plus 12 a.p., signed, unnumbered. The present work is a signed artist’s proofPublisher: Edition Dietmar Schneider, ColognePlease click HERE for full fact sheet
  • Paul MCCARTHY (b. 1945)Dead VikingAcrylic fur, wood, rubber and found costume12 x 72 x 24 in (30.4 x 183 x 61 cm)Please click HERE for full fact sheet
  • Joseph BEUYS (1921 - 1986)Phototype on polyester sheet, with hand-written text; stampedPrint size: 75 3/16 x 39 3/8 in (191 x 100 cm)Framed size: 82 x 45 3/4 x 2 1/2 in (208.28 x 116.2 x 6.35 cm)Signed {quote}Joseph Beuys{quote} and numbered 45/180, inscribed {quote}La rivoluzione siamo Noi,{quote} hand-stamped with the Hauptstrom stampEdition 180 plus 18 APPublishers: Modern Art Agency (Lucio Amelio), Naples and Edition Tangente, HeidelbergPlease click HERE for full fact sheet
  • Joseph BEUYS (1921 - 1986)20 Reichsmark from 1924, with handwritten addition3 1/8 x 6 ¼ in (8 x 15,9 cm)Signed in red felt {quote}Joseph Beuys{quote}This work is uniquePlease click HERE for full fact sheet
  • MAN RAY (1890 - 1976)Iron and brass nails6 1/2 x 4 x 3 1/4 in (16.5 x 10.1 x 8.2 cm)Signed, titled and numbered 3272/5000Accompanied by signed and numbered card, in original packingPublisher: Luciano Anselmino, TurinPlease click HERE for full fact sheet
  • Joseph BEUYS (1921 - 1986)1 Wirtschaftswert (Arbeit aus dem Werkkomplex {quote}WIRTSCHAFTSWERTE{quote})Paintbrush with inscriptions in graphite, hand-stamped with the Hauptstrom stamp, signed {quote}Joseph Beuys{quote} and inscribed “1 Wirtschaftswert,” in Klaus Staeck custom-designed wood presentation box, under glass.Wood box: 11 13/16 x 10 1/4 x 2 3/4 in (30 x 26 x 7 cm)This work is uniquePlease click HERE for full fact sheet
  • Joseph BEUYS (1921 - 1986)Black & white photograph (from the series {quote}Photo-Editionen{quote}) with gold foil and inscriptions in graphite, studio sticker on the reverse, inscribed with signature in pencil “Joseph Beuys” and signed “Zoa”20 x 24 in (50.8 x 61 cm)Photograph of Joseph Beuys by Zoa (Brigitte Müller-Fehn), taken in Kassel on June 30, 1982, when, during a live “Aktion” (performance), the artist melted down a golden crown (representative of the old order) and recast the metal into a golden hare and sun sphere. The resultant sculpture was later sold to raise funds for Beuys’ most ambitious public intervention: the 7000 Oaks Project.Edition: 33 inscribed by Beuys in pencil and numbered; 10 inscribed by Beuys in felt and numbered I to X; a small number of unnumbered Artist’s Proofs inscribed by Beuys in pencil; all photographs also signed by Zoa.The present work is one among the small number of artist’s proofs, this from the personal collection of “Zoa” (photographer Brigitte Müller-Fehn), HannoverPublisher: Galerie Edition Holtmann, ColognePlease click HERE for full fact sheet
  • Piero MANZONI (1933 – 1963)Tin can, printed paper and excrement*Inscribed on the lid “PRODUCED BY Piero Manzoni No. 39”In unopened clear plastic pouch with facsimile of the fingerprint of Manzoni1 7/8 x 2 1/2 x 2 1/2 in (4.8 x 6.5 x 6.5 cm) 0.1 kgReleased by the Piero Manzoni Foundation, 50 years after the death of the artist. The edition is 9000, the original numbering (1/90) is repeated 100 times. The number offered here is number 39.This is an authorized and approved reproduction of the artist’s seminal work, “Merda d’Artista,” in which Manzoni packaged multiple 30gr tins of his excrement as if it was manufactured for sale. It is descriptive of Manzoni’s ironic and perverse style. Calling into play his specific dialogue with the relationship between art production and human production* Agostino Bonalumi, who worked with Manzoni, recently wrote in Corriere della Sera, that the 90 30-gramme tins that Manzoni filled in 1961 before his untimely death aged 29, contained not faeces but plaster. This might be one of the greatest outrages perpetrated in the history of art. Or not.Quite possibly the contents don't do exactly what they say on the tin. {quote}I can assure everyone the contents were only plaster,{quote} writes Bonalumi. {quote}If anyone wants to verify this, let them do so.{quote}Please click HERE for full fact sheet
  • Dallas (2022)
    • Aktivismus (Summer 2022)
    • Assisted Readymade (Winter 2022)
  • Los Angeles (2019-2021)
    • Wings of Desire (Winter 2021)
    • Of Mice and Men (Fall 2020)
    • Covid-19 project (Summer 2020)
    • Disruptive Selection (Fall 2019 & Spring 2020)
  • Berlin (2011-2018)
    • Mythology & Science (Fall 2017 & Spring 2018)
    • Curses, Blasphemies, Lamentations: Goya & Rodin (Spring 2017)
    • Homage to Auguste Rodin (Winter 2017)
    • Der Kandidat (Fall 2016)
    • Bridge over chaos (Spring 2016)
    • "1932" Rare Photographs by George Grosz (Winter 2016)
    • Musee Rodin Artgeneve (Winter 2016)
    • Rodin Rilke Beuys (Fall 2015)
    • Auguste Rodin: an expressionist eye (Spring 2015)
    • The Animals' Conference (Fall 2014 & Winter 2015)
    • The Hand of God (Spring 2014)
    • Women (winter 2014)
    • Dance of the seven veils (Fall 2013)
    • Abdulnasser Gharem (Spring 2013)
    • Kirchner - De Kooning (Winter 2013)
    • Sex is kicking death (Fall 2012)
    • The Sacred Heart (Spring 2012)
    • The Concrete & the Mystical (Winter 2012)
    • Fertility (Fall 2011)
  • Installations views
    • Mythology & Science
    • Curses, Blasphemies, Lamentations: Goya & Rodin
    • Homage to Auguste Rodin
    • Der Kandidat
    • Bridge over chaos
    • "1932" Rare Photographs by George Grosz
    • Rodin Rilke Beuys
    • Auguste Rodin: an expressionist eye
    • The Animals' Conference
    • The Hand of God
    • Women
    • Dance of the seven veils
    • Abdulnasser Gharem
    • Kirchner - De Kooning
    • Sex is kicking death
    • The Sacred Heart
    • The Concrete & the Mystical
    • Fertility
  • Berlin exhibition program
  • Musée Rodin Partnership (external)
  • Akim Monet Fine Arts (external)
  • Videos
    • 2020 Auguste Rodin & Joseph Beuys | an elision
    • 2020 new acquisition: first view of “Southern Comfort”
    • 2019 walkthrough of "Selective Selection from the collection of Akim & Anne-Marie Monet"
    • 2017 walkthrough of "Mythology & Science"
    • 2013 Abdulnasser Gharem in Berlin
    • 2011 interview Akim Monet
  • Press
  • Publications - Texts - Press releases
    • Publications
      • OF MICE & MEN
      • MYTHOLOGY & SCIENCE
      • ANNIVERSARY CATALOGUE
      • HOMAGE TO AUGUSTE RODIN
      • WORKS FROM THE MUSEE RODIN
      • RODIN: AN EXPRESSIONIST EYE
      • THE HAND OF GOD
      • THE AGGRESSIVE LINE
      • SEX IS KICKING DEATH
      • FERTILITY
      • Akim MONET - RODIN
      • Akim MONET - AL-TAWHID
      • Halim AL KARIM
      • Hussein AL MOHASEN
      • Dhafer AL SHEHRI
      • Shadi GHADIRIAN
    • Texts & Press releases
      • Wings of Desire (Press release)
      • Of Mice & Men (Press release)
      • Open letter to Donald Trump (Letter)
      • Disruptive selection (Press release)
      • Goodbye Berlin, hello Los Angeles (Letter)
      • Mythology & Science (Press release)
      • Curses, Blasphemies, Lamentations: Goya & Rodin (Press release)
      • Homage à Auguste Rodin (Press release)
      • Der Kandidat (Press release)
      • Bridge over chaos (Press release)
      • Bridge over chaos (Exhibition notes)
      • Bridge over chaos (Listof works)
      • "1932" Rare Photographs by George Grosz (Press release)
      • Musée Rodin at Artgeneve2016 (Press release)
      • Rodin Rilke Beuys (Press release)
      • Auguste Rodin: an expressionist eye (Press release)
      • The Animals' Conference (Press release)
      • Hand of God (Press release)
      • Dance of the seven veils (Press release)
      • Gharem in London: Fall 2013 (Press release)
      • Gharem in Venice: Summer 2013 (Interview)
      • Gharem in Berlin: Spring 2013 (Press release)
      • Sacred Heart Interview
      • Fertility essay
  • About - Legal - Contact
    • About exhibitionarchive.org
    • About Akim Monet
    • Contact - legal
      • Contact
      • Impressum
      • Privacy Policy / Data Protection Notice
  • Blog (external)
  • Newsletter sign-up